"Cultural Differences at the (Permeable) Border: What can a ski resort teach us about Ukraine and Russia?" with Medium,April 2022
"Read Less but Read Better" with Better Humans, February 2022
"Joy of the Tome" with A Thousand Lives, March 2022
"The End is Near... / How to make the most of your last few months in a job (even if you hate it)" with Better Humans, March 2022
"About Cultural Production: A Book Review Article of New Work by Crowther and Grigorian, Baldwin, and Rigaud-Drayton." CLCWeb: Comparative Literature and Culture 15.4 (2013): <https://doi.org/10.7771/1481-4374.2306>
"Echoes of Sophocles's Antigone in Auster's Invisible." CLCWeb: Comparative Literature and Culture 13.1 (2011): <https://doi.org/10.7771/1481-4374.1713>
"Redefinitions of India and Individuality in Adiga's The White Tiger." CLCWeb: Comparative Literature and Culture 14.2 (2012): <https://doi.org/10.7771/1481-4374.1965>
Waller, K. C.. (2015). Immigrant imaginaries in the filmic apartment ellipsis : a study of New York and Hong Kong. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b5760950
Waller, K. C.. (2011). Mise-en-abyme in Wayne Wang's New York and Hong Kong films. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b4663120
"Top Five Reasons to bring student choice to your DP Language A course...and how to do it!" (IB Blog, 2019)
"Our Climate as Concept - Language A & Concept-based Learning & Current Debates" (IB Blog, 2020)
KCL-HKU Film Research Video Conference, Hong Kong 2013 (“Filmmakers between New York and Hong Kong: Evans Chan and the Filmic Mapping of Doubled Traumas”)
Network for Migration and Culture: Migration, Memory, Place, Copenhagen 2012 (“Migration Identities in the Filmic Apartment Ellipsis”)
Societas Ethicas: Ethics and Migration, Sibiu, Romania 2012 (“New York Immigrants in the Filmic Apartment Ellipsis”)
China Postgraduate Network Conference, Edinburgh 2012 (“Hong Kong Female Migrants in the Filmic Apartment Ellipsis”)
Asian Cinema Studies Conference, Hong Kong 2012 (same as above)
© Copyright Kathleen Waller